Articles
Book Review. Ross Tangedal, 'The Preface: American Authorship in the Twentieth Century' (Cham: Palgrave Macmillan, 2021)
William Gonch
2023-03-13
“Better place no wit can finde”: The Compiler as Author in Early Modern Verse Miscellanies
Angelika Zirker
2023-02-03
The Pronominal Grammar of Ontological Anti-Blackness: Institutionality and Authority in Afropessimism and The Undercommons
Harriet S. Hughes
2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field
“Your eyes and ears on this side of the ocean”: Complicating S. J. Greenburger’s Role as Literary Scout and US Representative for Rowohlt Verlag in the 1960s
Corinna Norrick-Rühl and Miaïna Razakamanantsoa
2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field
The Literary Prestige of Censorship: The Case of Naked Lunch
Magda Majewska
2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field
Writers, Manuscripts, Collectors: Modern Authorship and the Fin-de-Siècle Origins of the Literary Archive
Tim Sommer
2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field
Owning the Apparatus: Edith Wharton, Racine, and the Fetishization of Pre-Revolutionary France
Sheila Liming
2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field
Introduction: Institutions of Authorship
Philipp Löffler and Tim Sommer
2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field
Sara Jeannette Duncan’s “Canadian Editions”: Imperial Authorship, Novel Innovations, and Literary Feminism in Cousin Cinderella
Bridgette Brown
2021-06-30 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada