Skip to main content

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Guest editor: Professor Ruth Panofsky (Ryerson University, Toronto)

Articles


Introduction

  • Ruth Panofsky

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Picturing E. Pauline Johnson / Tekahionwake: Illustration and the Construction of Indigenous Authorship

  • Carole Gerson
  • Alix Shield

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Writing Back against Canada’s Fictive Ethnicity:: Bernice Loft Winslow (Dawendine) and Ethel Brant Monture

  • Brendan F. R. Edwards

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

“That city, that self”: Tracing a Historical Trajectory of the City Writer

  • Ceilidh Hart

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Sara Jeannette Duncan’s “Canadian Editions”: Imperial Authorship, Novel Innovations, and Literary Feminism in Cousin Cinderella

  • Bridgette Brown

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965)

  • Karol'Ann Boivin
  • Marie-Pier Luneau

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

William Edward Daniel Ross’s Transformation into a Popular Fiction Novelist, 1962-1967

  • Janet B. Friskney

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

“As Truthful as Our Notion of the Past Can Ever Be”: William Maxwell, His Ancestors, and Alice Munro’s The View from Castle Rock

  • Robert Thacker

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

“Unembedded, Disappeared”: Marlene NourbeSe Philip’s Hyper/In/Visible Literary Celebrity

  • Lorraine York

Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada