Articles

112 results

Book Review. Ross Tangedal, 'The Preface: American Authorship in the Twentieth Century' (Cham: Palgrave Macmillan, 2021)

William Gonch

2023-03-13

“Better place no wit can finde”: The Compiler as Author in Early Modern Verse Miscellanies

Angelika Zirker

2023-02-03

The Pronominal Grammar of Ontological Anti-Blackness: Institutionality and Authority in Afropessimism and The Undercommons

Harriet S. Hughes

2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field

“Your eyes and ears on this side of the ocean”: Complicating S. J. Greenburger’s Role as Literary Scout and US Representative for Rowohlt Verlag in the 1960s

Corinna Norrick-Rühl and Miaïna Razakamanantsoa

2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field

The Literary Prestige of Censorship: The Case of Naked Lunch

Magda Majewska

2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field

Writers, Manuscripts, Collectors: Modern Authorship and the Fin-de-Siècle Origins of the Literary Archive

Tim Sommer

2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field

Owning the Apparatus: Edith Wharton, Racine, and the Fetishization of Pre-Revolutionary France

Sheila Liming

2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field

Introduction: Institutions of Authorship

Philipp Löffler and Tim Sommer

2023-01-31 Volume 11 • Issue 1 • 2022 • Institutions of Authorship: Publishing, Gatekeeping, and Patronage in the Modern Literary Field

“That city, that self”: Tracing a Historical Trajectory of the City Writer

Ceilidh Hart

2021-06-30 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

“As Truthful as Our Notion of the Past Can Ever Be”: William Maxwell, His Ancestors, and Alice Munro’s The View from Castle Rock

Robert Thacker

2021-06-30 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Sara Jeannette Duncan’s “Canadian Editions”: Imperial Authorship, Novel Innovations, and Literary Feminism in Cousin Cinderella

Bridgette Brown

2021-06-30 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Picturing E. Pauline Johnson / Tekahionwake: Illustration and the Construction of Indigenous Authorship

Carole Gerson and Alix Shield

2021-06-30 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965)

Karol'Ann Boivin and Marie-Pier Luneau

2021-06-29 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Introduction

Ruth Panofsky

2021-06-29 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

“Unembedded, Disappeared”: Marlene NourbeSe Philip’s Hyper/In/Visible Literary Celebrity

Lorraine York

2021-06-29 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

William Edward Daniel Ross’s Transformation into a Popular Fiction Novelist, 1962-1967

Janet B. Friskney

2021-06-29 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Writing Back against Canada’s Fictive Ethnicity:: Bernice Winslow Loft (Dawendine) and Ethel Brant Monture

Brendan F. R. Edwards

2021-06-29 Volume 10 • Issue 1 • 2021 • The Cultural Performance of Authorship in Canada

Female Authorship in Modern Fiction: Stevie Smith’s Novel on Yellow Paper (1936) and the History of Fictional Women Writers

Ingo Berensmeyer

2021-02-27 Volume 9 • Issue 1 • 2020

“A Fine, Sunshiny Night": The Authorial Afterlife of Captain James Fitzjames of the Third Franklin Expedition

Kathleen Kasten-Mutkus

2021-02-13 Volume 9 • Issue 1 • 2020

Mingchao Mao, Friedrich Hebbels Arbeit an Schiller. Die Schiller-Rezeption in Hebbels Ästhetik und Dramatik. De Gruyter, 2019.

Maria Giovanna Campobasso

2020-12-22 Volume 9 • Issue 1 • 2020

"RÊVE (Romantic Europe: The Virtual Exhibition): Romantic Authorship.” : A Review Essay

Alice Rhodes

2020-12-22 Volume 9 • Issue 1 • 2020

Ingo Berensmeyer, Gert Buelens and Marysa Demoor (eds.), The Cambridge Handbook of Literary Authorship. Cambridge University Press, 2019

Andrew Bennett

2020-05-15 Volume 8 • Issue 2 • 2019

Who Contributed to Late-Eighteenth-Century English Newspapers? Authorship, Accessibility and Public Debate (1790–92)

Johanne Kristiansen

2019-12-30 Volume 8 • Issue 2 • 2019

A Descriptive Bibliography of British and Irish Editions of Isaac Watts’s Divine Songs (1715–ca. 1830)

Tielke Uvin

2019-07-09 Volume 8 • Issue 1 • 2019

John Farrell, The Varieties of Authorial Intentions: Literary Theory Beyond the Intentional Fallacy (Palgrave Macmillan, 2017)

Frederik Kiparski

2019-07-09 Volume 8 • Issue 1 • 2019